A recent new film, with its unique and naked visuals, has never been seen before.
I can see my pupils shaking all the way.
It’s not an exaggeration to say that every scene needs to be high! Yes! Pre! Police!
Moreover, it has more than just scales.
Opening score of 8 points+, making it on the Douban reputation list.
Amazing and extreme
It turns out that movies can still be made like this
If you can finish reading.
Congratulations, I would like to mention the title of ‘Warrior’.
And gain an unprecedented viewing experience and a new understanding of one’s own body – De Humani Corporis Fabric
Medical themes are familiar to everyone.
Several industry dramas, documentaries, and reality shows are released every year.
But Uncle Yu dares to say that none of them can be so bold.
It captured real surgical footage in high-definition, without any code.
Only what you never imagined, nothing he dared not take.
**High energy warning: The following includes various human body images**
For example, craniotomy.
Drill holes on top of the head, screw in the screws, and insert the probe.
At the same time, the patient was still soberly chatting with the doctor.
This scene is a bit magical.
Cesarean section.
It’s never like many people’s brain teasers, just take out the child with a single stroke and it’s done.
You need to first cut open a slit that spans across your lower abdomen and uncover white grease, bright red blood
Two more medical staff, like a tug of war, exert themselves in different directions and peel off their stomachs.
For a whole of 21 minutes, it’s too scary to take a breath.
It’s not enough to describe a mother in terms of greatness.
Surgical correction of scoliosis.
This problem is common among many migrant workers.
After watching the surgical footage, no one dared not pay attention to their posture anymore.
Cut a long incision vertically on the back, revealing the original appearance of the skeleton by flipping out the muscular layer of the person.
Doctors are like a decoration team, tinkling and hammering construction.
Drive nails and fix metal into the spine.
And there are eye surgeries that look painful.
Secure the most sensitive area around the eyeball with tape and support.
A syringe pokes straight into the pupils, sucking away eye tissue like an egg yolk
The film not only closely records various large-scale surgeries.
It also utilizes medical imaging technologies such as endoscopes to penetrate special micro cameras deep into the human body.
Let the audience follow the camera, penetrate the skin and penetrate the interior of the body.
When performing a ventriculostomy, we become slender instruments that penetrate deep into the brain.
Passing through layers of unnamed tissue, I saw medical devices gradually pulling out membrane like cotton candy.
Expose the red pituitary gland and the violently beating brain structure.
We continued to delve into the cortical tunnel like a car tour.
The mirror head is like a road maintenance, moving little by little to check for bleeding.
Until the cortical tunnel is closed, brain wandering is terminated, and the surgery is completed.
The next ‘attraction’ is the intestines.
The slippery passage is like a slide in a water park.
The small intestine, on the other hand, is a eerie maze that takes us unprepared and leads us to a secret and terrifying hell.
What is the world on the back of the eyeball like?
Like the barren surface of a planet, the surface has been eroded into uneven surfaces.
The instruments scratched the surface of the diseased tissue bit by bit, as if cleaning up garbage.
Unexpectedly, there is a sense of decompression.
Another instrument can be seen ‘igniting flames’.
The “grilling” is an unknown organization that automatically activates the dazzling special effect.
It’s hard to imagine that these are all hidden behind a pair of calm eyes.
During prostate surgery.
Two robotic arms pull out a large piece of meat inside the body.
He also stuffed it into a not spacious bundle pocket and pulled it away like a cargo.
The entire process occurs within the narrow body.
There are also malignant tumors in the chest that have been cut off.
Under the microscope, there is a strange beauty like a distant galaxy.
Each surgical process is so specific, clear, and has a strong visual impact.
Or bloody, ugly, causing physical discomfort.
Or mysterious, strange, and even somewhat charming.
The cosmic pulsation, like the special effects of a movie, is truly happening within our bodies every moment.
What is more ‘refreshing’ than the surgical process is that the film records the doctor’s wandering and wandering state.
In our imagination, the doctors performing the surgery are all breathless and focused.
But in the film, the doctors are actually very relaxed.
When performing the high-risk surgery of correcting scoliosis, there was a problem with the medical equipment.
The wound was still bloody open, but the doctor was not surprised to repair the tools, while repairing roast.
The extremely precise minimally invasive surgery is still ongoing.
But doctors can still separate their minds and play tricks.
He compared the serpentine intestines to the winding Paris subway, and even listed the names of subway stations in sequence, chatting about the housing prices along the line.
During prostate surgery, a tube is inserted straight into the male genitalia.
A doctor enthusiastically discussed the different ways of writing ‘genitalia’.
A doctor humbly claimed that he had suffered sexual dysfunction due to having undergone too many penile surgeries.
Some doctors are actually whispering about patients’ gossip.
Use the patient’s medical history and body shape as a source of conversation and chat extensively.
There are even metaphysical topics.
A medical staff member said that strange problems always occur in a certain ward, and people continue to die.
It’s like being cursed
That’s why we don’t have room 13
All sorts of irrelevant discussions make us unable to help but sweat for the patients on the operating table.
As they rushed and complained, the camera continued to retreat, recording the entire hospital environment from a greater distance.
One word, messy.
There are security guards and dogs patrolling hastily in the basement, and drunks lying on the ground in the emergency room.
Someone is praying in the hallway, someone is running away from the ward.
Sometimes police officers appear, trying to calm the situation but only adding to the chaos.
The elderly people, supporting each other, stumbled through the wards.
Someone kept moaning and screaming, losing their human form.
Death is too common here.
Two nursing staff dressed the deceased person like playing with a doll.
Wearing it backwards, taking it off again, flipping it over and continuing to wear it.
He was muttering whether this was his clothes or not.
Make meaningless jokes like ‘if he hits you, it will definitely hurt’.
Until finally putting on a white corpse bag.
A doctor revealed that the end time of the surgery may not be true.
Sometimes the surgery is already done, but the doctor may eat something or smoke a cigarette for a while before going out to announce the surgical results.
These days repeat endlessly.
At the operating table, a doctor told a colleague——
If I become like this, please make sure to unplug the plug, make sure
Most medical themed works are filmed with warmth and humanistic care.
The treatment process highlights the sacredness of the operating table and the greatness of doctors.
But this film goes completely opposite.
The surgical process was filmed as a spectacle.
The human body is an extraordinary landscape that can only exist through the gaze and attention of others
It uses a unique visual language to capture the trinity of human body, medical treatment, and society.
The human body is complex and precise, and each person’s body can form its own universe.
But just as no one can witness their own death, no one can truly understand the changes and movements within their own bodies.
The film uses a large number of internal images of the human body to impact our impoverished cognition and imagination, allowing us to observe the mysteries of the body without any emotional color.
We will also use traditional shooting methods to present the image of doctors and patients, which will pull us out of the micro world and feel a closer sense of cruelty, discomfort, and loneliness.
It can be said that the film is a tribute to modern medicine.
Modern medical technology has developed to such an exciting level.
By making a narrow hole in the body, people’s eyes can freely shuttle, travel, take out things, and put them in.
Even if the body is twisted into a shrimp, people can still cut open the back of the shrimp, insert steel nails, and turn it back into a straight shape.
Even though childbirth is already commonplace, when we see a life shedding from our mother’s body, it still feels like we are looking up to the wonders of extraterrestrial civilization.
This is also an immersive experience of disease and death.
The progress of medicine still cannot solve the problems of disease and death.
The film uses advanced medical technology to give hope while also using a corpse in the morgue to erase hope.
Facing young people who have colon cancer at the age of 22.
The doctor can only do his best to improve the last days of his life.
In hospitals, there is no clear boundary between life and death.
With a premonition that the patient is about to face brain death, doctors are working hard to treat it while also considering extubation and organ donation.
Unable to stop for death, we can only run towards new life. The life and death gate of ICU is a cycle of heaven and purgatory.
The deified doctor in the film pierces the false image of society.
Their complaints and dissatisfaction directly point to criticism of the healthcare and welfare systems.
Their numbness to patients and withdrawal from the operating table are inseparable from the physical and mental devastation caused by high-intensity work.
Because the hospital is understaffed, doctors cannot get enough rest.
Many porter and nurses are temporary workers.
So even if there is a serious shortage of manpower, there are still a large number of idle people hiding in corners smoking, and the corridor becomes noisy and chaotic as a result.
The management has laid off a large number of medical staff in order to reduce expenses.
Without the person responsible for communicating with the family, the doctor must personally announce the failure of the surgery.
That’s why some doctors deliberately delay the end of the surgery and feel deeply uneasy about announcing bad news.
And the hospital they are in is also one of the top hospitals in France.
The film did not praise their nobility.
Because they don’t need badges of honor, they just want to have a normal rest.
The body landscape that impacts the senses comes from the perspective of these doctors.
The film ends with the doctor attending a party, but the camera is focused on a wall filled with religious graffiti, and we cannot see the doctor’s face clearly.
The ambiguous and ambiguous images ultimately leave us with abstract philosophical propositions.
After enduring the high pressure day and night, I have witnessed countless body incisions and healing.
How should we understand life, endure death, empathize with families in pain, and invest in a vibrant life?
This film actually continues the previous work styles of directors Lucian Kastain Taylor and Verena Paravel, exploring how to use technology to evoke a richer sensory experience for the audience.
Their representative work “Leviathan”, in order to restore the real fishing scene, the camera is tied to the fishermen’s arms, the mast, and the dead fish pile thrown on the deck.
The non human perspective not only criticizes the industrial age, but also pushes us completely into the magnificent and cruel nature.
“Cannibal Record” shows the dialogue between the Japanese ogre Ichiro Sasakawa and his younger brother. The film is a hand shaking close-up of hating faces from beginning to end, which can see a large section of out of focus and empty faces.
The audience seemed to be in that terrible space, looking directly at the bottomless abyss of humanity behind the undisturbed face of the ogre.
These highly experimental films, including “The Structure of the Human Body,” have all been criticized for being “more formal than content” and “too curious”.
But in reality, anthropological directors want to boldly challenge traditional shooting techniques.
Reset our thinking habits that are limited to one place at a time.
On the contrary, at present, the updates and iterations of film technology are more superficial, and documentaries are still producing proposition essays in bulk.
Isn’t the creation that truly evokes deep thinking through the language of movies exactly what we need?
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